Hair metal was all about hitting the high notes. Some singers like Steelheart’s Michael Matijevic became famous for their vocal ranges. Here is my take on the top 7 “hair metal high notes.” I’m sure that I will leave out a few great ones, so feel free to comment if you have one to add.
#7 - AUTOGRAPH – “Dance All Night”
Autograph was a great band, and they put out three albums of keyboard-laden rock in the 1980s. Although their fame had waned by 1987′s release of Loud and Clear, “Dance All Night” was a stand out track with some great screams by vocalist Steve Plunkett, starting at about 3:50.
#6 - DOKKEN – “Standing in the Shadows”
Don Dokken’s voice is one of the most distinctive in its genre. Not only is he able to sing soft ballads and hold notes for a great melodic effect, but he was also capable of some impressive high notes in his prime. “Standing in the Shadows”, from 1987′s Back for the Attack, is the best example of this that I can find. Not only do you get his signature vocal style, but you also get some nice yells towards the end of the song.
Jani Lane is another very impressive vocalist from the 1980s. His voice has an almost effortlessly smooth quality that’s hard to explain. In the band’s well known hit “Down Boys”, released in 1989 on their debut album, Jani’s voice is at its best. At about 2:45, after the guitar solo, he hits a great note, and in the song’s video he can be seen balancing his microphone on his extended palm while singing the lyric. Of course at the end, he hits another great note that ends the song: “Where they go”.
#4 - GREAT WHITE – “Face the Day”
Continuing on, we make a stop at the incredible voice that is owned by Great White’s Jack Russell. He is one of the few artists that when singing live, sounds exactly like he does on the album. Even in 2008 he can still belt out all the hits and sound great. In “Face the Day”, Russell’s vocal abilities are showcased when he screams the song’s title several times at the end of the song.
#3 - VALENTINE – “Someday”
Although Valentine never achieved a lot of fame, their vocalist Hugo Valenti is certainly noteworthy. Valenti bears a strong physical resemblance to Steve Perry, and his voice is certainly capable of tackling the Journey catalog. In this tune, some reviewers have even complained that his excessive high octave singing is “annoying”, but it is still impressive nonetheless.
#2 - FIREHOUSE – “Overnight Sensation”
C.J. Snare is my favorite vocalist in this genre, so I’m a little biased here. But still, you must admit that the note that Snare holds for 12 seconds at the beginning of the song is nothing short of amazing. It was hard to choose from all the FireHouse material, so I decided that length of the note would be the deciding factor. Snare still sounds incredible today, don’t pass up a chance to see the band live.
#1 - STEELHEART – “Steelheart”
Although I don’t care for the song itself, the note that singer Michael Matijevic reaches in this song is the highest that I’ve ever heard in this genre, although please correct me if I’m wrong. Give it a listen, but watch out for breaking glass!




Matt, you’ve got a great blog going here. And you are hitting more concerts than I am at this time, but thought you’d be interested in my blog at http://www.chadsconcertpix.blogspot.com. I’m just down the river in Pierre, SD.
Mark Slaughter of Slaughter can really hit the high notes too. Pretty much any song he does it but especially on “Fly to the Angels.” Sebastian Bach can also rip it up pretty good too.
BTW…I’m originally from Bismarck and graduated from BHS many years ago. I caught quite a few ‘hair band’ concerts at the Civic Center back in the day.
Hi Chad – you’re blog looks really interesting too…you’ve got a nice detailed calendar going.
George – I bet those were some great concerts! Its a shame the Civic Center sits idle now.